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Clearly an homage to Samurai Jack, this oriental treasure hunter is as bad-ass as (that was a mouthful) Genndy Tartakovsky's popular Samurai Jack.
The origins of Skeleton Jack is of yet unexplored and we just have to assume he doesn't eat very much. His anatomy isn't too accurate in the concept board.
Limbs and any articulatory appendages are simplified in order to ease animation.
Lookie, its little ol' Samurai Jack.
The powerful apparition which guards the Terracotta Squid. Contrary to what the top image would convey, Gui is not a wugui, therefore is perfectly as untortoise-like as you can not imagine.
Later, I came up with one of those hideous ghost demons that you usually see on Chinese New Year. After a few more sketches I decided to ease my workload by simplifying Gui into something less hideous and slightly more appealing but still maintain a certain level of menace.
I also experimented with a dragon/serpent design but decided that with my inexperience, I would have problems animating the damn thing.
Creepy little creatures that are supposedly offspring of powerful ghosts. Only two made it into the treatment so far as having more may convey a sense of "he doesn't love that one as much as that other one"-ness.
Mechanized guardians of the Temple. Design greatly influenced by robots from the Samurai Jack episode "Samurai vs. Samurai". They have blades for arms and uniform roughly similiar with the Terracotta army armor theme.
Background and Prop Design
The treasure was initially a fruit, a gold ingot and a ruby squid. But ruby squids don't really fit in an oriental setting. Terracotta it is then! Though it's not reaaaally that valuable. Then again, that might explain the ending.
The temple design was based upon a few reference images of pagodas which I didn't save because I sketched on the spot.
I always loved those curvy hills that you see in a lot of "China" tagged images so that's what I plan to use as the main background scenery in the animation.
Treatment
A treasure hunter, Skeleton Jack, clearly an homage to the Genndy Tartakovsky (I can't get enough of saying that name) TV series, Samurai Jack, finds the Temple Of The Terracotta Squid, grabs the goods, becomes hunted and a spoilerific ending ensues. Now don't tell anyone about the ending. It's only between you and me.
Longest. Post. Ever.
First up is Benjamin "NightShadow" T., who submitted this well-done rendering of a Nod base at the foot of the Petronas Twin Towers in Kuala Lumpur, Malaysia, which were the tallest buildings in the world from 1998 until 2004, when the Taipei 101 was constructed.
Since the buildings are major features of Kuala Lumpur, they score high on the culture score, and since they host the offices of Malaysia's national oil company, IBM, Microsoft, Reuters, Bloomberg, and other major multinationals, high marks are awarded for choosing a target of economic significance. The Nod structures and soldier are, of course, ripped straight ouf of C&C3, and the whole thing comes together so well it almost feels like it could be a level in a new Tiberian C&C game.
For his great modelling work and well-done render shot, especially the nice pose of the Black Hand trooper, NightShadow wins third place, consisting of a copy of "C&C3: Deluxe Edition" and a "Kane Lives" T-shirt